![]() ![]() His work covers the genres of Equestrian, Landscape, Abstract or Nature and combines nearly two decades of experience to offer exclusive limited-edition prints to the international stage from his film & digital photography. DD VIDED IIDUSIIIGS All include Video Eye 8i Wide Angle Lens For Sony TR Series. He is familiar with and shows great interest in medium and large format photography with products by Phase One, Hasselblad, Alpa and Sinar and has used many cinema cameras from the likes of Sony, RED, ARRI and everything in between. ![]() He is member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected in to BEWA, The British Equestrian Writers' Association. I&lD 2 2Autm01rMtzmldlli-'oimls 2 Uses Nikon AF Lenses (1.5x factor) 2 CF. He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science and is a Master of Arts in Publishing. These are all known as Micro-Nikkors and of the six modern options, two are specialist PC-E tilt-shift models, leaving four for general macro use: the DX 40mm f2.8G, 60mm f2.8G, DX 85mm f3. I tried both lenses on each camera and the D7500 is the winner. I like the D500 however the pictures are not as sharp as with the D7500. I also have a Nikon D7500 with a 18-140mm lens. Originally specialising in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound and many more for various advertising campaigns, books and pre/post-event highlights. Nikon offers no fewer than six modern macro lenses designed for close-up photography, and still sells four older models in some regions. I have a shiny refurbished Nikon D500 and a shiny new Tamron 18-200mm lens. Read our full Nikkor Z 24-200mm f/4-6.3 VR review for more detailsįor nearly two decades Sebastian's work has been published internationally. Los lentes Micro-NIKKOR tienen éxito, ya que ofrecen una gran versatilidad, relaciones de reproducción altas, un valor excepcional y son fáciles de usar. On the latter, you gain in telephoto reach what you lose in wide-angle ability, the ‘effective’ zoom range equating to 36-300mm in full-frame terms. It also boasts a 4.5-stop optical stabilizer which works in conjunction with the in-body stabilizers of the Z5, Z6, and Z7, and is even more desirable in the Z50 which has no IBIS. Travel-friendly credentials include weather seals and a fluorine coating on the front element to repel moisture and grease, as well as an anti-glare ARNEO Coat for when (or if) the sun comes out. That’s pretty remarkable, considering it can replace separate dual 24-70mm and 70-200mm zoom lenses, albeit with a more restrictive aperture rating of f/6.3 at the longest setting. It’s impressively compact and lightweight for a full-frame compatible superzoom, measuring 114mm in length and tipping the scales at just 570g. Ideal for the long or short haul, this ‘superzoom’ lens gives you everything from great wide-angle coverage to powerful telephoto reach, at the flick of a wrist. Typically narrow maximum aperture at the long end of the zoom range /PRNewswire/ - B&H is excited to announce the first macro lenses for Nikons Z-series mirrorless cameras: the NIKKOR Z MC 50mm f/2.8 and 105mm f/2. ![]()
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